One of the church's two towers serves the Church as a bell tower, while the other
serves the Municipality as a clock-tower. So, like a character from Guareschi's popular
“Don Camillo and Peppone” novels, which pitted a priest against a Communist mayor
in comical conflict based on animosity infused with affection and respect, the Sanctuary
of the Blessed Virgin of Sasso stands straddling dual identities in the town’s main
square (Piazza dei Martiri della Liberazione – “Martyrs of the Liberation Square”).
The church was built between 1802 and 1831 to house the shrine of the Blessed Virgin,
formerly kept in the a cave carved into the cliffside. In 1945, the building and the
15th century shrine it contained were both destroyed in a terrible bombing raid, which
left only the two bell towers standing. The reconstruction of the current church was
completed in 1951, the same year in which artist Giovanni Franchi donated an oil reproduction
on wood of the ancient effigy lost to the war. Of particular interest inside the church
is an 18th century canvas of “Enthroned Madonna with Children, Angels and Saints,”
attributed to the French school, and a magnificent work from the school of Caracci
depicting the Madonna of Carmine with Saints Peter, Paul, John the Baptist and Francis.
built between 1802 and 1831 to house the shrine of the Blessed Virgin, formerly kept
in the a cave carved into the cliffside. In 1945, the building and the 15th century
shrine it contained were both destroyed in a terrible bombing raid, which left only
the two bell towers standing.